Driving home, again, rounding Philly Listening to the radio, I hear a poet Reading her work:
To love life, to love it even when you have no stomach for it and everything you've held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you again.
The Thing Is by Ellen Bass from her book Mules of Love
In a shop, leafing through a book, read this quote: Where you used to be, there is a hole in the world, Which I find myself constantly walking around In the daytime, and falling in at night. I miss you like hell. Edna St. Vincent Millay
The Studio at Line's End Farm is where I paint and try to find some joy again, and some equilibrium, not simple these days. One weblog records thoughts, ideas, methods and mixtures, palettes, observations, actually anything that intrigues me concerning my painting and working in the studio. Another observes only the horse in paintings that I find influential. The last are done for my sanity. All are my opinion only, open to other suggestions.
I will write in red, for my dear, love; who never saw red, not in ink, not in ire.
In 2010, the cold went beyond ten decades, was a century mark of hard winter through the mid-atlantic. For one small household banked by an Eastern Shore river this winter was epochal.